![]() The luminous quality of Morisot's paintings was highly praised for its faint progressions between the light and the dark shades, a skill she of course learnt from her teacher Corot. Through her art she challenged accepted ideas of femininity and revealed the life of 19th-century women the way she experienced it. Morisot's pictures are modest and reveal women who are not acting a part for men, but are instead focused only on themselves. Whereas artists such as Manet and Renoir's works sexualized females Morisot perfectly captured the self consciousness of women as they are preparing for an evening out. Later years: In her later years Morisot continued creating Impressionist paintings that brought a new female perspective to the age old images of women sitting privately at their toilette. Morisot's love of nature is obvious in her many resplendent paintings. However Morisot's use of incandescent tones and brush strokes on an unprimed canvas were not the follies of an inexperienced female painter, but rather the techniques that many of the Impressionist painters were using to create their impressive art work. ![]() It was maintained that women painted only the frivolous splendor of nature because they were unable to perceive beyond a facade of beauty. She was critically acclaimed for creating sincere images of nature that were rather derogatorily said to be due to her feminine superficiality. Unlike her male contemporaries Morisot avoided painting nudes and erotic scenes. It was on her family's vacations to the countryside that Morisot completed many of her works. This style of painting allowed the artist to paint both outside and whilst visiting friends. Such works were created with small tins of watercolors that could easily be transported to different locations. Portrait of the Artist's Mother and SisterĮarly years: Morisot's work highly influenced by the types of artwork women were encouraged to produce small compositions in pencil, gouache, or watercolor paints.
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